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No bears at the opera

by Theo on November 9th, 2013

I got to sketch through a dress rehearsal of Arabella last night, thanks to the ever-fabulous Minnesota Opera Company. I’ve seen a lot of opera through their Social Media Preview events now, and I gotta say, Arabella was probably one of my favorite stories I’ve seen performed.

First performed in 1933, this opera is a comedy about a young woman named Arabella whose financially ruined family needs her to marry into money but who desperately wants to marry for love. She’s very beautiful and has a number of suitors, but none really float her boat. On the other hand, her little sister Zdenka, who dresses as a man so the family won’t have to pay to have two daughters out in society, is secretly head-over-heels for one of Arabella’s longtime suitors, Matteo.

Which brings us to reason #1 that I loved Arabella: Although the story could easily have gone there, the two sisters are not at odds with one another. They love each other deeply and support one another. Ladies supporting each other! I am always down for more of that!

Arabella and Zdenka

Arabella and Zdenka

Arabella’s suitors are, by and large…not fantastic prospects.

Thinking is death! Happiness lies in not thinking.

(Actual wisdom from one of the suitors, which I plan on quoting as justification while I watch Say Yes to the Dress.)

But then, along comes Mandryka. Mandryka is rich, handsome, and just got back from hunting a bear. Which he might have actually been wearing when he showed up. Reason #2 why I loved Arabella is Mandryka’s coat.

Mandrynka's fabulous coat

Making. It. Work.

Mandryka comes in talking big about this bear he was hunting and how he basically got a little bit mauled by the bear and spent a his time in recovery with nothing but Arabella’s photo to keep him company. Which strikes me as a little creepy. I mean, dude spent like twelve weeks staring at a photo of a woman he’d never met, lovesick? I once had a stranger at con recognize me by my OK Cupid profile photo, and I made an excuse to flee. But then I suppose I wasn’t looking for a rich husband, and the dude at con wasn’t wearing a bear, so different circumstances.

Side note: It was around this point in the show that the friends I was sitting with and I all fell in love with the bear in Mandryka’s story. During intermission, we talked about how the bear should come back, the bear should show up for the big party in act 2, the bear would woo Arabella and fix everything and the show would now be called Bearabella. I spent the rest of the opera pretending the bear was in the background of every scene, waltzing with pretty girls and making “Oh no you didn’t” faces along with the other suitors. Not gonna lie, the bear is reason #3 why I loved Arabella. He didn’t show up on stage, but the whole bear story was just fantastic.

Background

Here’s a color study I did of one of the beautifully constructed but aggressively neutral sets. As you can see, there are many places in it for bears to hide.

Anyway, at the party in the second act, Mandryka meets Arabella, they fall in love and get engaged, and then everything goes to hell in typical comedic opera fashion. Mistaken identity! Eavesdropping! Drinking! A woman who appears to be dressed as a lion tamer cracking her whip seductively at party guests! I swear I’m not making that last one up!

And here we come to reason #4 why I loved Arabella – the biggest reason: Arabella is a woman who demands respect and gets it.

When everything is confused and Mandryka accuses Arabella of being unfaithful to him with Matteo, she’s like “NOPE. You don’t get to talk to me like this, and you’d better hope I can forgive you.” When Mandryka is proven wrong, he immediately repents – loudly, repeatedly, with genuine sorrow – and she still takes some time before she can forgive him. Arabella is in charge of the outcome of this story, and she won’t settle for less than a man she loves with all her heart who will treat her with respect. She also stands up for her little sister even when Zdenka screws up big-time, is 100% pure class when she turns down suitors, and basically refuses to take any shit from anyone.

Arabella is my new favorite opera heroine.

For more information on the show or to buy tickets, click here. This one’s definitely worth your time.

bear

And here’s the bear who was secretly in the background.

From → Art, Opera rules

2 Comments
  1. Craig Irvin permalink

    Fantastic breakdown of the story! Thanks for coming, and I’m glad you enjoyed the show. I love the sketches; any chance I could get the one of Mandryka (or even a copy of it)?

    Thanks again,

    Craig Irvin (Mandryka)

    • Theo permalink

      Check your email. :)

      And thank YOU again!

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